Satan's Island by John Wagner, Kev Walker, Ben Willsher, Paul Marshall, Cam Kennedy, Chris Blythe and Tom Frame.
Here's
another collection from my 2000AD gap years, and it's one I picked up
after a suggestion from Flintlockjaw from the ECBT2000AD podcast about other Dredd stories which
featured biological warfare. This one concerns the arrival of the
floating Sin City in the waters off the coast of Mega-City One. With no
laws on board it allows visiting citizens to gamble and debauch
themselves to their hearts content while the Judges can only look on
with disapproval. Chief Judge Hershey ostensibly allows it because it
brings in much needed revenue for the Meg's coffers but her ulterior
motive is the hunt for a wanted terrorist agent rumoured to be on board
the pontooned palace of perversion, and naturally she sends Dredd to
head up the investigation.
As
ever the civilians get up to all kinds of futuristic nonsense and
inevitably the terrorist is revealed and there is mayhem aplenty as one
of Dredd's oldest foes steps out of the shadows. Look away now if you
don't want any spoilers but it's that man again, Orlok the assassin is
back and he's carrying vials of another deadly microbe to unleash on the
unsuspecting citizens of the big Meg. This time it's a bacterium as
opposed to the block mania neurotoxin that kicked off the Apocalypse War
but it does seem that the Sov Judges are a bit repetitive in their
attacks. Presumably all meetings of the Polit bureau feature some bright
spark asking if they have ever considered weakening their enemies by
poisoning their water supply first?
The
recent IDW collection of the Apocalypse War led me to muse on how these
comic book stories reflect society's fears at the time they were
written, and made me almost nostalgic for the nuclear paranoia of the
1980s. Even further back in the 1950s when the space race was just
getting started comics were full of mysterious invaders from other
planets, and all sorts of heroes were gaining powers from strangely
glowing meteorites. In 1963 the amazing Spider-Man, like most of his
fellow Marvel superheroes, gained his powers from radioactivity but by
the time it came to his first big movie in 2002 we seemed to have all
lost our fear of the power of the atom and the spider that bites Tobey
Maguire represents another branch of scary science, genetic
modification. Although ten years later when they rebooted we seemed to
have decided that GM was no big deal after all and it was, once again,
an atomic powered arachnid that led Andrew Garfield to don the red and
blue unitard. Maybe it was the fear of some terrorist with a dirty bomb
that pushed radioactivity back to the top of the lethal list, or perhaps
the writers just loved that line about radioactive blood from the
cartoon show song. And to continue my theme I bet there were all sorts of comics in the 1970s about environmental concerns,
Swamp Thing was created in that decade and he would go on to be at the
forefront of Alan Moore's stories about man's careless attitude to his
home planet.
One
of John Wagner's great talents is how he uses the Dredd strip to
satirise so many of the stranger aspects of our own modern lives, and he
certainly knows what frightens us. Whether it is the horrors of nuclear
war or the flesh eating terror of a contagious disease with a 90%
mortality rate. This series originally appeared in 2002 so possibly
Wagner had New Labour's plans to introduce super-casinos to the UK in
his mind rather than our fear of a microbiological catastrophe, but
reading it now when Ebola victims in Africa are literally bleeding from
their eyes is a sobering experience.
In
the case of Orlok the agent he releases here is said to be a bacterium
which means that Wagner has run the full gamut of different microbial
menaces. It was a virus with the catchy name of 2T(FRU)T which infected
Mega-City Two and led Dredd to make his epic trek across the Cursed
Earth. In 1982 the Judges had to deal with a lethal Fungal infection
that left victims growing a nasty crop of mushrooms on their skin. And
to bring things right up to date the Chaos Day organism was based on a
Protozoa called Toxoplasma Gondii. The Block Mania agent is, I think,
just referred to as a toxin so I presume it was something
pharmacological that sent the citizens crazy and not a bug. That only
leaves a few rare wee beasties for the Sovs to try unleashing on the big
Meg.
Turning back to this
volume there is terrific art from the accomplished Kev Walker and some
very early Ben Willsher on the sequel Orlok story from Prog 1303. Then
Paul Marshall and Cam Kennedy illustrate the last stories which puts
Orlok on trial. All three of these back up stories are coloured by Chris
Blythe and the whole volume is lettered by Tom Frame. It's another fine
Dredd collection which was a pleasure to read, and so cheap and easy to
download on the iPad app. Four stars and recommended.
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